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The centerpiece of the rose window is the IHS monogram, a transliteration
of the first letters of "Jesus" in Greek. Radiating outward
from this center are twelve petals depicting the symbols of twelve
prophets. Directly at the top, or twelve o'clock, position, tongs
and a coal of fire symbolize Isaiah, who was able to speak in prophecies
after his lips were touched by a seraph with a burning coal (Isaiah
6:6-7). Isaiah has an important place in Christian iconography because
two of his statements—about the virgin who would conceive
and bear a son, and the shoot that would spring from the tree of
Jesse (Isaiah 7:14, 11:1)—were taken as prefiguring the coming
of Christ.
The starry scepter in the next petal clockwise symbolizes
Jeremiah. The next petal to the right depicts a pitcher and loaves
of bread, symbols that represent Obadiah. The fish depicted in the
next petal to the right traditionally symbolizes Jonah, who was
chosen by the Lord to go to Nineveh and preach. Fleeing his fate
by ship, Jonah was swept overboard and swallowed by a large fish.
In despair, he vowed that he would bow to God's will, and God, hearing
him, caused the fish to cast Jonah back on the shore. The broken
sword is the symbol of the prophet Micah. The lion represents Daniel,
whose final test of faith was to be cast into the lions' den. The
trumpet is associated with the prophet Joel. Elisha, the disciple
of Elijah, performed several miracles that prefigured the coming
of Christ, including the cleansing of the leper Naaman in the River
Jordan. The double-headed dove is his symbol, as he is often depicted
with a double-headed dove on his shoulder. A broken yoke is the
attribute of the prophet Nahum. Amos, the shepherd and the pruner
of sycamore trees, is represented by a shepherd's crook. Hosea conveyed
the Lord's offer of forgiveness to the faithless Israelites, if
they will turn away from idol worship. In the rose window, he is
symbolized by a broken idol. Closed gates symbolize Ezekiel, whose
statement, "This gate shall be kept shut; it must not be opened"
(Ezekiel 44:2) was seen as a metaphor of virginity. During the Babylonian
exile (which began in 579 B.C.), Ezekiel had apocalyptic visions
of a winged man, lion, ox, and eagle, symbols later adopted as the
emblems of the four evangelists.
Twelve medallions at the ends of the outer petals
contain the symbols of the twelve apostles: at twelve o'clock, the
keys of Peter, his traditional attribute because Jesus said he would
hold the keys to the kingdom; and (reading clockwise from the top)
the pilgrim's hat and staff of James Major, the brother of John
and, tradition has it, a wanderer who found his way to Spain (he
became that nation's military patron saint); loaves of bread, representing
Philip, who is associated with the feeding of the multitudes in
the Gospel of John, chapter 6; arrows and stones, the attributes
of Thomas because they are the instru-ments of his martyrdom; a
money bag representing Mat-thew, the former tax collector; a ship
representing Jude; the battle axe associated with Matthias; a fish,
representing Simon; skin hanging on a cross, the attribute of Bartholomew
(mentioned in the New Testament by name only, Bartholomew was supposed
to have been flayed alive on a missionary journey to Armenia.);
the saw and stones of James Minor, who was sawed in half and stoned;
the cup and serpent represent John the Evangelist, and the poisoned
cup forced upon him by the Emperor Domitian, which he drank without
being harmed; and a fish and boat hook, the traditional symbols
of Andrew, a brother of Simon Peter and also a fisherman.
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